la clemenza di tito cast

But when she tells him she is already in love with Annio (Kate Lindsey) he decides to wed Vitellia (Barbara Frittoli) instead. Arnold Ostman's tempos are quick and crisp without feeling rushed. Choisissez parmi des contenus premium La Clemenza Di Tito de la plus haute qualité. Share on Facebook; Share on Twitter; Share Ancient Rome was not a safe place for anyone to live—not even an Emperor renowned for his goodness and wisdom. In the meantime, however, Vitellia has heard the news about Tito's interest in Servilia and is again boiling with jealousy. Although no other documentation exists to confirm Süssmayr's participation, none of the secco recitatives are in Mozart's autograph, and it is known that Süssmayr traveled with Mozart to Prague a week before the premiere to help with rehearsals, proofreading, and copying. Sesto takes all the guilt on himself and says he deserves death (rondo "Deh, per questo istante solo"), so Tito tells him he shall have it and sends him away. Soon Publio arrives to arrest Sesto, bearing the news that it was one of Sesto's co-conspirators who dressed himself in Tito's robes and was stabbed, though not mortally, by Sesto. Trouvez les La Clemenza Di Tito images et les photos d’actualités parfaites sur Getty Images. In terms of staging there is always something to see without it feeling overdone.The performances are simply wonderful, the standouts being Anita Soldh's Vitellia and Stefan Dahlberg's Tito. Guardasoni's experience of Mozart's work on Don Giovanni convinced him that the younger composer was more than capable of working on the tightest deadline. Visually it is traditional and looks absolutely beautiful in both the costumes and sets. In 1791, the commission at short notice to compose a coronation opera forced Mozart, the free spirit, to fall back on material from an earlier time: Metastasio's story about the Roman Emperor Titus, which had already been brought to the opera stage dozens of times, served both as the homage to a man of power and as the reminder of an ideal rule based on reason. Early … Many recordings have been made, including the following: For other settings of the libretto by Metastasio, see, The political and social conditions surrounding the performance of, "Review: It took 228 years, but L.A. Opera's, International Music Score Library Project, Laurence Olivier Award for Best New Opera Production, https://en.wikipedia.org/w/index.php?title=La_clemenza_di_Tito&oldid=1014644286, Articles containing Italian-language text, Articles with Italian-language sources (it), Articles with unsourced statements from October 2020, Articles with German-language sources (de), Articles with International Music Score Library Project links, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 28 March 2021, at 08:39. The others lament Tito in a slow, mournful conclusion to act one. James Levine conducts the Wiener Philharmoniker in this performance. Mazzolà replaced a lot of the dialogue with ensembles and wrote a new act one finale, cobbled from lines in the original libretto, which presents the uprising, whereas Metastasio merely describes it. The commission came from the impresario Domenico Guardasoni, who lived in Prague and who had been charged by the Estates of Bohemia with providing a new work to celebrate the coronation of Leopold II, Holy Roman Emperor, as King of Bohemia. Cast Susan Graham (Sesto) Hannah Esther Minutillo (Annio) Catherine Naglestad (Vitellia) Ekaterina Siurina (Servilia) Roland Bracht (Publio) Christoph Prégardien (Thomasin Rand) Paris Opera Orchestra; Sylvain Cambreling Stage Director: Ursel Herrmann; Karl-Ernst Herrmann Choreographer: Tito. Tito Vespasiano : Ramón Vargas. The opera concludes with all the subjects praising the extreme generosity of Tito; he then asks that the gods cut short his days, should he ever cease to care for the good of Rome. Directed by Barbara Willis Sweete. Chorus master : Alessandro Di Stefano. The new emperor of Rome, Tito, is much loved by the Roman people, with the exception of Vitellia, the daughter of the previous emperor. The time was tight and Guardasoni had a get-out clause: if he failed to secure a new text, he would resort to La clemenza di Tito, a libretto written more than half a century earlier by Pietro Metastasio (1698–1782). The impecunious composer chose to adapt it to suit his own needs, and now Gaitanou has faced the same challenge. The opera is scored for 2 flutes, 2 oboes, 2 clarinets, (1 also basset clarinet and basset horn), 2 bassoons, 2 French horns, 2 trumpets, timpani and strings. It was started after the bulk of Die Zauberflöte (The Magic Flute), the last opera that Mozart worked on, was already written. Between assassination attempts, arson destroying the capitol, and the betrayal by his friends, the Emperor Tito (Frank Lopardo) has his hands full. La Clemenza di Tito may harken back to the days of opera seria both in story in structure, but the music is all late period Mozart. [4] It was the first full Mozart opera to reach London, receiving its première there at His Majesty's Theatre on 27 March 1806. This FAQ is empty. View production, box office, & company info. Palais Garnier - from 30 June to 13 July 2021. (TV Movie 1987). [13] In the same year the opera was performed at the Metropolitan Opera in New York City and broadcast on April 20, 2019. Directed by Ursel Hermann, this 2005 production of Mozart's last opera stars a remarkable cast with Susan Graham in the role of Sesto, Christoph Prégardien giving life to Tito and Catherine... 1 of 1 people found this review helpful. With Stefan Dahlberg, Anita Soldh, Lani Poulson, Maria Höglind. Palais Garnier - from 30 June to 13 July 2021. [6] The North American premiere was staged on 4 August 1952 at the Berkshire Music Center in Tanglewood. Get a sneak peek of the new version of this page. Premiered in September 1791 for the coronation of Leopold II, King of Bohemia, La Clemenza di Tito celebrates the figure of the merciful sovereign. Wolfgang Amadeus Mozart. Vitellia finally decides to confess all to Tito, giving up her hopes of empire (rondo "Non più di fiori" with basset horn obbligato). Opera Wolfgang Amadeus Mozart Book Subscribe Option booking This production is no longer available for subscription. I have loved Mozart’s La Clemenza di Tito for more than fifty years, ever since as a teenage fan of the great Teresa Berganza, I snapped up Decca’s 1967 trail-blazing release of Mozart’s High Classical masterpiece, conducted by Istvan Kertész. Directed by Ursel Hermann, this 2005 production of Mozart's last opera stars a remarkable cast with Susan Graham in the role of Sesto, Christoph Prégardien giving life to Tito and Catherine Naglestad embodying the ambitious Vitellia. Title: Publio returns and announces that Sesto has been found guilty and an anguished Tito must sign Sesto's death sentence. Directed by Thomas Olofsson. Sesto in turn covets Vitellia, who promises her love in return for Tito’s death. The virtuosic Elīna Garanča sings Sesto at the Metropolitan Opera, in Mozart’s drama set in ancient Rome. It has been suggested by scholars of Mozart that he had been working on the opera much longer, perhaps since 1789; however, all such theories have now been thoroughly refuted in the English-language musicological literature. She stirs up Tito's vacillating friend Sesto, who is in love with her, to act against him (duet "Come ti piace, imponi"). The work premiered on 6 September 1791 at the Estates Theatre in Prague. The ceremony was to take place on 6 September; Guardasoni had been approached about the opera in June. The opera was first performed publicly on 6 September 1791 at the Estates Theatre in Prague. The Roman emperor Tito (Kenneth Riegel) is besieged by death plots, a massive fire in Rome, and his best friend’s betrayal. Vitellia is the most complicated character of the opera and Soldh meets the demands splendidly, alluring and dominant and singing with command whether loud or soft. He is especially wonderful in the trio where Tito's frustration is very convincing, and Ah, Se Fosse Intorno Al Trono has a lot of bite and bounce as it should. No opera of Mozart was more clearly pressed into the service of a political agenda than La clemenza di Tito, in this case to promote the reactionary political and social policies of an aristocratic elite. Filmed in 1980 among the ruins of ancient Rome, Jean-Pierre Ponnelle’s stunning production marked the beginning of a renaissance for Mozart’s late opera. Alfred Einstein in 1945 wrote that it was "customary to speak disparagingly of La clemenza di Tito and to dismiss it as the product of haste and fatigue", and he continues the disparagement to some extent by condemning the characters as puppets – e.g., "Tito is nothing but a mere puppet representing magnanimity" – and claiming that the opera seria was already a moribund form. He agrees, singing one of the opera's most famous arias ("Parto, parto, ma tu, ben mio" with basset clarinet obbligato). La Clemenza di Tito (Ga ital.) The coronation had been planned by the Estates in order to ratify a political agreement between Leopold and the nobility of Bohemia (it had rescinded efforts of Leopold's brother Joseph II to initiate a program to free the serfs of Bohemia and increase the tax burden of aristocratic landholders). Mozart readily accepted the commission given his fee would be twice the price of a similar opera commissioned in Vienna. He determines that, if the world wishes to accuse him (Tito) of anything, it should charge him with showing too much mercy, rather than with having a vengeful heart (aria "Se all'impero"). Mozart's earliest biographer Niemetschek alleged that the opera was completed in just 18 days, and in such haste that the secco recitatives were supplied by another composer, probably Franz Xaver Süssmayr, believed to have been Mozart's pupil. Musically the production is just as wonderful, the orchestral playing is sprightly and sensitive with the brass for the procession almost startling in sound. Giuseppe Filianoti is the noble Tito and Barbara Frittoli is Vitellia, in this handsome revival of one of the composer’s final masterpieces staged by the famous director Jean-Pierre Ponnelle. 1980 Directed by Jean-Pierre Ponnelle. Mazzolà conflated the original three act libretto into two acts, and none of the original Metastasio arias are from the original middle act. She urges Sesto to assassinate Tito. The African-American tenor Russell Thomas sings Tito, and he is surrounded by nonwhite artists: [...]. Orchestre et Choeurs de l’Opéra national de Paris. Cast; Crew; Details; Genre; Cast. Leading one of the composer’s most elegant scores, Lothar Koenigs conducts a cast that also includes soprano Elza van den Heever as the ruthless Vitellia and breakout stars Ying Fang and Emily D’Angelo as the young lovers Servilia and Annio. 23, 25, 30 nov., 3, 5, 8, 11, 14 déc. But after an extended internal struggle, Tito tears up the execution warrant for Sesto. “The production has been re-thought and redesigned to be able to accommodate safety protocols. [7] For a long time, Mozart scholars regarded Tito as an inferior effort of the composer. In 1791, the last year of his life, Mozart was already well advanced in writing Die Zauberflöte by July when he was asked to compose an opera seria. Synopsis. The role of Sesto was taken by castrato soprano, Domenico Bedini. Premiere of Wolfgang Amadeus Mozart's "La clemenza di Tito" on February 10, 2014 in the Nationaltheater Metastasio’s libretto for La clemenza di Tito was a dog-eared old thing that had famously been set on 40-odd occasions by the time a commission reached Mozart’s desk. La Clemenza di Tito . Michael Spyres. The act begins with Annio telling Sesto that Emperor Tito is in fact alive and has just been seen; in the smoke and chaos, Sesto mistook another for Tito. Prix : 5,72 € Tous les prix incluent la TVA. Dahlberg is appropriately benevolent and sings with a wonderful sense of lyricism, honeyed yet very emotional. Tito is about to show mercy, when Vitellia offers her confession as the instigator of Sesto's plot. Милосердие Тита . Since Annio and Servilia, unbeknownst to Tito, are in love, this news is very unwelcome to both (duet "Ah, perdona al primo affetto"). Unaware of the honor about to be bestowed on her, Vitelllia, daughter of the deposed emperor, is determined to seek revenge on Tito and ensnares her lover Sesto (Elīna Garanča) in her dark plot. Add the first question. The libretto was edited into a more useful state by the court poet Caterino Mazzolà. One of Mozart’s last operas, La clemenza di Tito (The clemency of Titus), is a story of friendship and forgiveness triumphing over jealousy and violence. Metastasio's libretto had already been set by nearly 40 composers; the story is based on the life of Roman Emperor Titus, from some brief hints in The Lives of the Caesars by the Roman writer Suetonius, and was elaborated by Metastasio in 1734 for the Italian composer Antonio Caldara. Lani Poulssen shows Sesto's hope and despair with conviction and sings with great style. The other characters (except Tito) enter severally and react with horror to the burning Capitol. Some folk may find Rainer Trost's Tito a little underpowered but he sings the role with quite a sappy, heroic tone. Le Nozze Di Figaro is my least favourite but still has its high points. The cast make a good team and Sir Charles keeps everything flowing. Voir les 3 formats et éditions Masquer les autres formats et éditions. In the amphitheatre, the condemned (including Sesto) are waiting to be thrown to the wild beasts. Buy Tickets. Almost as soon as he leaves, Annio and the guard Publio arrive to escort Vitellia to Tito, who has now chosen her as his empress. Keep track of everything you watch; tell your friends. The cast included John Braham, whose long-time companion Nancy Storace had been the first Susanna in The Marriage of Figaro in Vienna. The story is set in ancient Rome. Period performance practice often uses a fortepiano. 4,5 sur 5 étoiles 2 évaluations. [9] The opera retains a reasonably high profile, and is in the lower reaches of the 'Top 50' performed at major houses, worldwide. Reports that his wife Maria Luisa of Spain dismissed it as una porcheria tedesca (literally in Italian "German swinishness", but most idiomatically translated "A German mess") do not pre-date 1871, in a collection of literary vignettes by Alfred Meissner about the history of Prague purportedly based on recollections of the author's grandfather, who was present for the coronation ceremonies.[3]. The premiere took place a few hours after Leopold's coronation. La Clemenza Di Tito is not in my top 5 of Mozart's operas, but any Mozart opera is worth hearing/watching and La Clemenza Di Tito is no exception. Tito, however, decides to choose Sesto's sister Servilia to be his empress, and orders Annio (Sesto's friend) to bear the message to Servilia (aria "Del più sublime soglio"). An enchanting Gail Robinson is Servilia, Sesto’s sister, who is desired by the emperor himself but in love with another … Instead, he approached Antonio Salieri, the most distinguished composer of Italian opera in Vienna and head of the music establishment at the imperial court. Vitellia at this time is torn by guilt, but Servilia warns her that tears alone will not save Sesto (aria "S'altro che lagrime"). 10/10 Bethany Cox. La Clemenza di Tito. Check out our gallery of the 2021 Oscar nominees in the leading and supporting acting categories, as the characters they so brilliantly played and in real life. [5] The first performance at La Scala in Milan was on 26 December 1818. Use the HTML below. He decides to send for Sesto first, attempting to obtain further details about the plot. [citation needed]. Hans Toelstede. Book Subscribe Option booking This production is no longer available for subscription. Servilia decides to tell Tito the truth but also says that if Tito still insists on marrying her, she will obey. Pia Marie-Nilsson is a charming Servilia and her voice is of great lyric beauty that is more than ideal for the role. But Salieri was too busy, and he declined the commission, although he did attend the coronation. At the Salzburg Festival 2017, Peter Sellars directed his interpretation of the opera,[10] as "a vision of peaceful coexistence", "reaching far beyond the historical context",[11] a coproduction with the Dutch National Opera, Amsterdam, and the Deutsche Oper Berlin. Mozart: La clemenza di Tito In an essay included in the program, he compares Leopold II to Nelson Mandela, who, on assuming power in South Africa, forgave those who wished him dead. Vitellia, daughter of the late emperor Vitellio (who had been deposed by Tito's father Vespasian), wants revenge against Tito. Synopsis: La Clemenza di Tito Select a language to update the synopsis text. Mozart was not Guardasoni's first choice. When her attempts to return to her rightful place on the throne through marriage are unsuccessful, Vitellia plots Tito’s … The opera was also performed as part of Glyndebourne's 2017 summer festival. This … La clemenza di Tito – power, intrigue and ultimate mercy. In a contract dated 8 July, Guardasoni promised that he would engage a castrato "of leading quality" (this seems to have mattered more than who wrote the opera); that he would "have the libretto caused to be written...and to be set to music by a distinguished maestro". La Clemenza di Tito ; Where to watch JustWatch. Servilia spurns Tito, who in turn woos Vitellia. 182 likes. Mozart : la Clemenza Di Tito (Intégrale) Jed Wentz (Compositeur), André Post (Interprète) Format : CD. As far as can be gathered, it was not staged in London again until at the St Pancras Festival in 1957. Basso continuo in recitativi secchi is made up of cembalo and violoncello. Tue 19 Dec La clemenza di Tito (Salzburg 2017) - The New Yorker ‘Sellars makes his moral vision even stronger through his casting. Sesto wants to leave Rome, but Annio persuades him not to (aria "Torna di Tito a lato"). 15, 18, 20, 28 nov., 17, 21, 25 déc. La Clemenza di Tito. Leopold desired to pacify the Bohemian nobility in order to forestall revolt and strengthen his empire in the face of political challenges engendered by the French Revolution. No evidence exists to evaluate Mozart's attitude toward this, or even whether he was aware of the internal political conflicts raging in the kingdom of Bohemia in 1791.[1]. Among later settings were Gluck's in 1752 and Josef Mysliveček's version in 1774; there would be three further settings after 1791. Unusually, in Mozart's personal catalogue of compositions, Mazzolà is credited for his revision with the note that the libretto had been "reworked into a true opera". Conducted by Teodor Currentzis, it premiered on 27 July 2017 at the Felsenreitschule in Salzburg. He pardons all the culprits and is celebrated as Rome's benefactor. La Clemenza di Tito. [2] The opera may not have been written in just 18 days, but it certainly ranks with Rossini's L'italiana in Algeri, Il barbiere di Siviglia and La Cenerentola as one of the operas written in the shortest amount of time that is still frequently performed today. The premiere took place a few hours after Leopold's coronation. Composer. Annio begs Tito to show clemency towards his friend (aria "Tu fosti tradito"). Vitellia hates the Roman Emperor Tito because he has not chosen her as his wife. It is not known what Leopold thought of the opera written in his honor. The young Roman patrician Sesto, sung by Tatiana Troyanos in one of her greatest performances, is besotted by the vengeful and manipulative Vitellia (Elizabeth Connell). But when she hears word that Tito has sent Berenice of Cilicia, of whom she was jealous, back to Jerusalem, Vitellia tells Sesto to delay carrying out her wishes, hoping Tito will choose her (Vitellia) as his empress (aria "Deh, se piacer mi vuoi"). Want to share IMDb's rating on your own site? Maria Höglind is a graceful Annio, while Jerker Arvidssen is an authoritative Publio.In conclusion, a wonderful production. Agora seu papel é divulgar a circulação pelo DF. The Senate tries Sesto as Tito waits impatiently, sure that his friend will be exonerated; Publio expresses his doubts (aria "Tardi s'avvede d'un tradimento") and leaves for the Senate. This production is one of the best Drottningholm Mozart productions along with Cosi Fan Tutte and La Finta Giardiniera. Following the federal and cantonal directives relating to the fight against the spread of the Covid-19 virus, the Grand Théâtre de Genève is obliged to cancel all performances of the opera La Clemenza di Tito, February 19 to March 3 2021. Our season subscribers as well as the holders of tickets for this event will be contacted by email. Check out our editors' picks for the movies and shows we're excited about this month, like Mortal Kombat, "Them," and Stowaway. You must be a registered user to use the IMDb rating plugin. However, as it was only played once, it does not appear to have attracted much interest. [8] However, in recent years the opera has undergone something of a reappraisal. Personal offers for this show. The opera was first performed publicly on 6 September 1791 at the Estates Theatre in Prague. Catalogue Number: OA0942D Date of Performance: 2005 Running Time: 212 minutes Stanley Sadie considered it to show Mozart "responding with music of restraint, nobility and warmth to a new kind of stimulus". Sesto reenters and announces that he saw Tito slain, but Vitellia stops him from incriminating himself as the assassin. Sesto, meanwhile, is at the Capitol wrestling with his conscience (recitativo "Oh Dei, che smania è questa"), as he and his accomplices go about to burn it down. La Clemenza di Tito. Essa página divulgou a montagem da ópera La Clemenza di Tito, de Mozart em Brasília, em outubro de 2014. Although shocked, the emperor includes her in the general clemency he offers (recitativo accompagnato "Ma che giorno è mai questo?"). If you're only going to hear one recording of Mozart's La Clemenza di Tito, it should be this 1979 recording by Karl Böhm leading the Staatskapelle Dresden with an all-star, mostly German cast. She is torn with feelings of guilt and worry over what she has sent Sesto to do. The opera remained popular for many years after Mozart's death. Tito wants to marry the sister of his friend Sesto, Servilia. Caterino Mazzolà . La Clemenza di Tito. With Harry Bicket, Susan Graham, Barbara Frittoli, Elina Garanca. Tito thanks the gods for Servilia's truthfulness, and immediately forswears the idea of coming between her and Annio (aria "Ah, se fosse intorno al trono"). The picture quality and sound are also very good. Tito is shocked and feels let down by everyone but stays firm in the decision he has already made: his leniency shall be more powerful than the malice surrounding him. Giuseppe Filianoti is the Emperor Tito who chooses Servilia (Lucy Crowe) to be his Empress. [12] In 2019 the Los Angeles Opera put on the work for the first time in its history in an all new production, conducted by James Conlon and starring Russell Thomas. Was this review helpful to you? Premiere cast Tito, Roman Emperor: tenor: Gaetano Ottani Vitellia, daughter of the deposed Emperor Vitellio: soprano: Caterina Visconti Sesto, a young patrician, friend of Tito, in love with Vitellia: soprano castrato: Gaetano Majorano ("Caffarelli") Annio, a young patrician, friend of Sesto, in love with Servilia: soprano castrato Emanuele Cornaggia The role of Sesto was taken by castrato soprano, Domenico Bedini. . Librettist. La clemenza di Tito (The Clemency of Titus), K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. Choeurs de l ’ Opéra national de Paris the coronation Tito ; Where watch! Favourite but still has its high points Guardasoni had been deposed by Tito 's father Vespasian ) wants. Tempos are quick and crisp without feeling rushed however, as it not... D ’ actualités parfaites sur Getty images persuades him not to ( aria `` Tu fosti ''. 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